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Title | : | The Intuitionist |
Author | : | Colson Whitehead |
Book Format | : | Paperback |
Book Edition | : | Anniversary Edition |
Pages | : | Pages: 255 pages |
Published | : | January 4th 1999 by Anchor Books (first published 1999) |
Categories | : | Fiction. Science Fiction. Mystery |
Colson Whitehead
Paperback | Pages: 255 pages Rating: 3.67 | 8921 Users | 1104 Reviews
Interpretation During Books The Intuitionist
A New York Times Notable BookA San Francisco Chronicle Best Book of the Year
Two warring factions in the Department of Elevator Inspectors in a bustling metropolis vie for dominance: the Empiricists, who go by the book and rigorously check every structural and mechanical detail, and the Intuitionists, whose observational methods involve meditation and instinct. Lila Mae Watson, the city’s first black female inspector and a devout Intuitionist with the highest accuracy rate in the department, is at the center of the turmoil. An elevator in a new municipal building has crashed on Lila Mae’s watch, fanning the flames of the Empiticist-Intuitionist feud and compelling Lila Mae to go underground to investigate. As she endeavors to clear her name, she becomes entangled in a web of intrigue that leads her to a secret that will change her life forever.
A dead-serious and seriously funny feat of the imagination, The Intuitionist conjures a parallel universe in which latent ironies in matters of morality, politics, and race come to light, and stands as the celebrated debut of an important American writer.

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Original Title: | The Intuitionist |
ISBN: | 0385493002 (ISBN13: 9780385493000) |
Edition Language: | English |
Characters: | Lila Mae Watson |
Setting: | United States of America |
Rating Of Books The Intuitionist
Ratings: 3.67 From 8921 Users | 1104 ReviewsEvaluation Of Books The Intuitionist
Colson Whiteheads The Intuitionist is a mystery aboutelevator inspectors? Or is it about an ideological conflict between opposing schools of elevator theory (the Empiricists and the Intuitionists) which surfaces when an elevator deemed safe by elevator inspector, Lila Mae Watson (an Intuitionist) goes into freefall? Whiteheads novel has the feel of a noir detective story replete with intrigue and espionage. His urban landscape is filled with characters youd expect to see in such a novel and theI am reading this for a class that I am taking on black postmodern fiction. The hallmarks of the postmodern style are there. It is clear that Whitehead read a fair amount of Pynchon and Barth due to the extensive presence of half-thoughts, sentence fragments, and commentary from the narrator. So, with regards to the class, I understand why it was assigned. On a personal level, I haven't been this bored reading a book in a while. I don't particularly like any of the characters. Lila Mae is rather
In which Whitehead uses the noir-"murder"-mystery and elevators to interrogate race in America.Lila Mae Watson is the first black woman elevator inspector in some alternate-world New York City (never named as such, but... you can tell) where elevator inspection is a Very Big Deal.* This takes place in the 1950s or so (theres a reference to Martin Luther King, Jr.), and while other reviewers have made much of its supposed science-fictional retro-futurism, I didnt get that from the text at all -

So dense that I had to take breaks to rest my brain, and so good that I (almost) want to take a college lit class where it's on the syllabus so I can hear people say smart things about it. (But I hate school, so that's not happening.) Whitehead's writing is rich and textured. Every single "minor" character is memorable. Just freakin' amazing.It actually reminded me of my fave book ever, Thomas Pynchon's Vineland, but without the wackiness. I don't know if enough people have read Vineland for
There's a rich strain of American literature dealing with this nation's original sin, slavery and its residue. In fact, there's so much literature on the topic that I've heard quite a few times that there's nothing left to say. Enter Colson Whitehead's the Intuitionist, a book that manages to make the entire problem seem both familiar and alien at once.Whitehead's strategy is a brilliant one, the kind of idea that must have struck him at an odd moment, like in the dentist's chair or while
This isn't just an allegory of race, as the many glowing reviews in the prefatory pages state. It's an allegory of everything. "Elevators" and "intuitionism" variously represent upward social mobility and its limits, the threatened gains of the civil rights movement, the anxiety of a post-rational worldview, challenges to good-old-boy cronyism, the enabling factor of the modern urban center and the possibility of its transcendence ... the list goes on. In the interest of thematic expansiveness,
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