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Details Books To The Painted Word
Original Title: | The Painted Word |
ISBN: | 0553380656 (ISBN13: 9780553380651) |
Edition Language: | English |
Characters: | Clement Greenberg, Andy Warhol |

Tom Wolfe
Paperback | Pages: 112 pages Rating: 3.82 | 5804 Users | 246 Reviews
Define Epithetical Books The Painted Word
Title | : | The Painted Word |
Author | : | Tom Wolfe |
Book Format | : | Paperback |
Book Edition | : | Special Edition |
Pages | : | Pages: 112 pages |
Published | : | October 5th 1999 by Bantam (first published 1975) |
Categories | : | Art. Nonfiction. History. Writing. Essays. Art History. Criticism |
Interpretation Supposing Books The Painted Word
"America's nerviest journalist" (Newsweek) trains his satirical eye on Modern Art in this "masterpiece" (The Washington Post)
Wolfe's style has never been more dazzling, his wit never more keen. He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. This is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).
Rating Epithetical Books The Painted Word
Ratings: 3.82 From 5804 Users | 246 ReviewsJudge Epithetical Books The Painted Word
I found this little book squished in between two big art books in the library. It hadn't been checked out in years and looked like it needed a friend. I had just finished the very long NINTH STREET WOMEN, a book chock full of detail about the evolution of the New York art scene in mid century America, and here in my hand was the antidote. This small gem is a frolic through time and style, from late Cubism, through Abstract Expressionism, Pop, Op, Minimalism, Reductionism, and on into ConceptualTom Wolfe takes on the art world! Tom Wolfe critiques the leading theories in contemporary art! Tom Wolfe tells you all about the different stages of being an artist, from the Boho Dance to the Consummation which ensures critical success! Tom Wolfe takes on the mysteries of abstract art! You can imagine him, cant you, in his pristine white suit, squinting close at an abstract canvas up on the wall of some Seventh Avenue gallery uptown, one of those galleries that doesnt want to look like theyre
Tom Wolfe rips the pish out of art critics using their own chosen weapon - the word.This was probably about round 6 of a 12 rounder between painting and theory. Up to this pont Theory had been winning every round and it looked like painting was going to have to throw in the towel and abandon the title. Wolfe stepped into Painting's corner and this round was a decisive winner. Nobody seems to know what the final outcome of the Championship bout was..... but Painting is still alive and going from

I don't have the education to review this from an art criticism or art history perspective, but Tom Wolfe's argument here meshes with and reinforces similar perspectives from Odd Nerdrum and Roger Scruton. And Wolfe does so in his own lightning prose style.It's not the main point of the book, but it stood out to me that Wolfe attributes Modern Art - as a culture, as a religion, as a movement - to a kind of bourgeois guilt. That is, the shame of the Western secular elite over their own economic
Oh my! No wonder Jeff loves Wolfe so much. As a starting point on the read the authors that died last year journey, I picked up the smallest Wolfe book a devastating shake down of modern art as descending into the literary with adherence to the Word (here defined as flatness). I need to read it again with a dictionary nearby.
This is a short and very entertaining read especially if you are an art geek like me. Tom Wolfe talks about the modern art movement from the beginning of 1900 to 1975. It's refreshing and funny to some extent he focuses more on the critics Greenberg, Rosenberg & Steinberg than the actual artists of each movement. This is much in line with his main theme in the book that all great art is about art and without a theory to go with it, you can't see a painting.
Wolfe's argument in this short, entertaining, and completely wrong-headed polemic is based on the idea that the non-representational art of the last 100 or so years is a hoax because it can only be appreciated by those who have learned and agree with various abstract theories. Wolfe is much more supportive of various flavors of representational art of the same period and the preceding centuries because he thinks this art can be appreciated without depending on theories. The basic fallacy of this
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